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Katino K-tino Ktino

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Posted in Bikutsi, Entertainment, FashionTagged bikutsi, k-tino, katino, ktino

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MaJoie AYI

  • BLuv@KmerMusic.com
  • December 21, 2025
  • 0

Majoie Ayi
is a prominent Cameroonian singer and songwriter celebrated for her contributions to the Bikutsi music genre. Known for her powerful voice and energetic performances, she has established herself as a significant figure in Central African music.
Career and Musical Style
Majoie Ayi’s music is characterized by the fast-paced, rhythmic intensity of Bikutsi, often blended with modern Afro-pop elements. Her career spans over a decade, with notable activity and releases continuing into 2025.
Source: Google

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  • Bikutsi
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Zele le BOMBARDIER

  • BLuv@KmerMusic.com
  • September 14, 2023
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  • Bikutsi
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Best of RANTAMPLAN

  • BLuv@KmerMusic.com
  • July 29, 2024
  • 0

🎤 Spotlight: Rantamplan
Who she is
Rantamplan (real name Koué Dorothée) is a singer‐dancer from Cameroon, noted for her work in the genre Bikutsi in the 1990s. She hails from the East Region of Cameroon (Messamena). agendaculturelducameroun.com

Her nickname “Rantamplan” apparently comes from a stage rapport with fellow musician Nkodo Si Tony (also known as Si-Tony) where they were likened to “Lucky Luke and Rantamplan” on stage—eventually the name stuck. agendaculturelducameroun.com

Musical & dance contributions
She worked initially as a dancer and chorist for Si Tony, then made the move into recording. agendaculturelducameroun.com

Her first recorded release: an album titled Ezezek (4 tracks), done in two days in the mobile studio of the engineer/arranger Mystic Djim (Clément Djimogne). agendaculturelducameroun.com

Her style is intimately connected with Bikutsi, a rhythm‐based, foot-stomping genre from the Beti/Ewondo people of central Cameroon. The term “bikutsi” itself means “to beat the earth / to stomp the feet”. Wikipedia

Importantly, Rantamplan is credited as being a pioneer among female performers in Bikutsi who combine singing and dancing—bringing dance moves from her home culture into the mainstream of Bikutsi performance. agendaculturelducameroun.com

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