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Nkodo SITONY

Nkodo Sitony: his life, his musical significance and legacy 👇
🎤 Who he was
Nkodo Sitony — real name Nkodo Si Tobi François — was a Cameroonian singer, born on 25 August 1959 in New Bell (Douala, Cameroon).

He passed away on 21 December 2021 in Yaoundé, at age 62.
Wikipedia, Actu Cameroun

🎶 Musical Career & Style
Nkodo Sitony was one of the main figures of Bikutsi — a traditional/popular musical genre from Cameroon.

He is often credited with modernizing Bikutsi during the 1980s.
His musical background included percussion, guitar, balafon, and more: he blended traditional rhythms with influences from afrobeat, high-life, and modern instrumentation.
Cameroun24, Afrik

📀 Achievements & Influence

Over a 40-year career span, he produced about 25 albums.
ÔCamer.com, cameroonconcordnews.com

His 1986 album 90° de Bikutsi à l’ombre became iconic: it earned him, in 1988, the awards for “Song of the Year” and “Artist of the Year.”

Some of his most famous songs — still regarded as classics in Cameroon — include Mba Mvoe, Métil Wa, Ngoan Ezoum, and Wa Yi Ma Wo Ya.

Beyond music, his style — mixing traditional rhythms and instruments with modern sounds — helped pave the way for “techno-Bikutsi” or modern Bikutsi, influencing subsequent generations of Cameroonian musicians.

💔 Death & Legacy
After a long illness, Nkodo Sitony died on 21 December 2021 in Yaoundé.
He left behind a large discography and remains celebrated as one of the legends of Bikutsi and Cameroonian music.

His music continues to resonate today: many Cameroonians (and fans of African music) still listen to his songs; his fusion of tradition and modernity remains influential.

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Lady PONCE

Here’s an excerpt spotlighting Lady Ponce — a powerful voice in Cameroonian music:

Lady Ponce (born Adèle Ruffine Ngono in Mbalmayo, Cameroon) is celebrated as one of the dominant female figures of the modern bikutsi rhythm, earning the nickname “La Reine de Bikutsi”.
Her early life reflects a formation deeply rooted in community and tradition: she began singing in her mother’s stead at age 10, was part of a parish choir in Yaoundé and then cut her musical teeth in cabarets and live shows around the city.
Lady Ponce’s breakthrough came with her album Le Ventre & Le Bas-Ventre (2007). The energy of her voice, the rhythm of bikutsi and her strong stage presence made her a revelation in the Cameroonian music scene.
Her style blends tradition and bold modernity: she takes the 6/8 pulse of bikutsi and injects it with urban grooves, dance-moves and a magnetic live persona. Critics describe her as “100,000 volts” for the way she ignites the stage. jeuneafrique.com
chatgpt

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