Related Posts

Dina BELL

Dina Bell
(born May 28, 1953) is a legendary Cameroonian musician widely regarded as one of the most influential figures in the Makossa genre. Known by the nickname “Bazor,” he is celebrated for his smooth, melodic voice and his role in shaping the golden era of Cameroonian music during the 1970s and 1980s.
Key Facts & Career

Early Life: Born into a musical family in Douala-Akwa, Cameroon, he began his journey singing in church choirs.
Musical Style: He is known for “pure” and melodic Makossa, often characterized by its upbeat rhythm and soul-stirring vocals.
Breakthrough: His debut album, Yoma Yoma (1978), was a massive success in Cameroon, released while he was living in France.
Legacy: Despite the decline of Makossa’s popularity in later years and struggles with piracy, he remains a respected icon. He has spent recent years supporting young artists through his own recording studio

Source: AI Google

Loading

Best of RANTAMPLAN

🎤 Spotlight: Rantamplan
Who she is
Rantamplan (real name Koué Dorothée) is a singer‐dancer from Cameroon, noted for her work in the genre Bikutsi in the 1990s. She hails from the East Region of Cameroon (Messamena). agendaculturelducameroun.com

Her nickname “Rantamplan” apparently comes from a stage rapport with fellow musician Nkodo Si Tony (also known as Si-Tony) where they were likened to “Lucky Luke and Rantamplan” on stage—eventually the name stuck. agendaculturelducameroun.com

Musical & dance contributions
She worked initially as a dancer and chorist for Si Tony, then made the move into recording. agendaculturelducameroun.com

Her first recorded release: an album titled Ezezek (4 tracks), done in two days in the mobile studio of the engineer/arranger Mystic Djim (Clément Djimogne). agendaculturelducameroun.com

Her style is intimately connected with Bikutsi, a rhythm‐based, foot-stomping genre from the Beti/Ewondo people of central Cameroon. The term “bikutsi” itself means “to beat the earth / to stomp the feet”. Wikipedia

Importantly, Rantamplan is credited as being a pioneer among female performers in Bikutsi who combine singing and dancing—bringing dance moves from her home culture into the mainstream of Bikutsi performance. agendaculturelducameroun.com

Loading